Why Sakamoto Days Lacks Intensity: Exploring Budget, Talent, and Anime Production Choices

Why Sakamoto Days Lacks Intensity: Exploring Budget, Talent, and Anime Production Choices

Reader’s Question:
Why does the anime Sakamoto Days lack so much intensity? I feel like they should have hired the creators of Demon Slayer or Attack on Titan. Why didn’t they invest more money in it?

Understanding the Investment in Anime: A Legal Perspective

Hey there! So, I was recently diving into
a discussion about the anime “Sakamoto Days,” and I couldn’t help but reflect on some interesting points that came up. A reader expressed their frustration about the apparent lack of intensity in the show, questioning why the creators didn’t hire the talents behind “Demon Slayer” or “Attack on Titan.” It’s such a relatable sentiment, isn’t it? We all crave that gripping storytelling and stunning animation that leaves us breathless. But then, one user, who goes by the name of “ユーザー,” raised a really thought-provoking point. They suggested that the reason for the lower budget might simply be that “Sakamoto Days” isn’t quite at the same level of popularity as those blockbuster hits. And honestly, that’s a rather astute observation! If you think about it, investing a hefty sum into a project that doesn’t have a proven fanbase could be a risky gamble for any production company. As someone who spends a fair amount of time in a judicial scrivener’s office, I can relate this to the world of law. Imagine a young lawyer taking on a massive case without the backing of a strong reputation; it’s a bit like putting all your eggs in one basket. If the case flops, well, there goes the career! Similarly, an anime studio might prefer to play it safe, ensuring they can deliver a product that won’t completely flop. Now, here’s where things get a little more complex. Just because a studio has the funds doesn’t mean they can just hire anyone they want. The animation industry is bustling, and top-tier studios like UFO and MAPPA are often stretched thin with their projects. I mean, have you ever tried to get a reservation at a popular restaurant? It’s a bit like that! You can have all the money in the world, but if the talent is already booked, you’re out of luck. I remember one time I showed up way too early for a meeting, thinking I’d get a head start on my notes, only to find out that I was the only one there for a good half hour. It felt both awkward and amusing, sitting there surrounded by empty chairs. Sometimes, the timing just doesn’t align, and that’s a lesson that applies to more than just dinner plans. In the end, while the initial disappointment over “Sakamoto Days” not meeting expectations is valid, it’s essential to consider the broader picture. The anime industry is a complex web of decisions, finances, and timing. I’d love to hear your thoughts on this! Have you ever been let down by an anime adaptation? Or perhaps you have tips on how to navigate similar disappointments? Share your experiences in the comments!