Reader’s Question:
I have a question about Kaworu from Evangelion. Sometimes he’s referred to as the First, sometimes as the Thirteenth, and other times as the Seventeenth Angel. Can someone clarify what all these designations mean and how they relate to each other?
Understanding Kaworu: The Enigma of Evangelion
Ah, Kaworu Nagisa
from “Neon Genesis Evangelion,” a character that’s as complex as the series itself. If you’ve ever found yourself scratching your head over the numerous titles and designations attached to him, you’re not alone. It’s a bit like trying to explain why your favorite coffee shop has a new seasonal drink named after a mythical creature. There’s a lot going on beneath the surface, and sometimes, it feels more complicated than it needs to be!
So, Who Is Kaworu, Really?
First things first, let’s break down the character a bit. Kaworu is often referred to as the First Angel, the Thirteenth Angel, and even the Seventeenth Angel, which can be incredibly confusing. In the original TV series and the old movies, he is a reincarnation of Adam, the first angel, but his physical form is that of Tabris, the 17th Angel. Yeah, I know—it sounds like a convoluted family tree that you’d need a flowchart to navigate!
Then we have the “Rebuild of Evangelion” series, where things get a tad tricky. The early setup still hints at him being the First Angel, but as the story progresses into the third film, “Evangelion: 3.0 You Can (Not) Redo,” Kaworu is tragically transformed into the Thirteenth Angel due to Gendo’s manipulations. Talk about a character whose fate is as twisted as a pretzel! I mean, can you imagine being used as a pawn in such a grand game? Just thinking about it gives me a lump in my throat.
Last Child Standing
Throughout the series, Kaworu is often termed as the “Last Child” and the “Final Messenger.” This role adds yet another layer to his character. He seems to embody the themes of beginnings and endings, often playing a pivotal role in the series’ larger narrative. You’d think with that much responsibility, he’d have a bit more luck on his side, but alas, Kaworu’s fate is sealed with a tragic twist. It’s like being handed the last slice of pizza, only to realize it’s been sitting out for hours—disappointing and a little bit sad.
Those moments when he realizes the fate he’s been dealt—man, they hit hard. Kaworu almost has that Shakespearean tragedy vibe going on, where he’s constantly aware of the roles he plays but is powerless to change the script. I mean, who hasn’t felt like they were stuck in someone else’s story? There’s an air of inevitability that surrounds him, and honestly, it’s hauntingly relatable.
Why the Confusion?
You might wonder why so many titles and roles get thrown around for Kaworu. Part of it is the layered storytelling of “Evangelion.” The series itself is a matrix of existential questions, psychological exploration, and yes, a lot of ambiguity. Kaworu embodies those themes, serving as a vessel for deeper philosophical inquiries about identity, purpose, and the human condition. It’s like the showrunners sprinkled a little mystery on top of an already complex narrative, and we’re all just trying to decipher the recipe!
On top of that, you have to think about the cultural differences in how these narratives are told in Japan versus the West. The way manzai (a style of Japanese stand-up comedy) often plays with misunderstandings and layered meanings can mirror how “Evangelion” presents its themes. Sometimes, it feels like you’re watching a comedic duo where the punchline is lost in translation, leaving you with more questions than answers.
Kaworu as a Tragic Figure
Another interesting aspect is how Kaworu’s role mirrors the classic trope of the tragic hero. He’s got a burden to bear that most characters don’t, constantly teetering on the edge of fate and agency. It’s almost like he’s living in a dark comedy where he knows the punchline but can’t escape the setup. “Et tu, Gendo?” might as well be his catchphrase!
And honestly, I think that’s what makes him such a compelling character. The idea that he carries the weight of the world—or rather, the weight of the angels—on his shoulders while still searching for connection and understanding is something that resonates deeply. I think we all grapple with our own identities and the roles we play in each other’s lives. It’s both comforting and unsettling to see that struggle represented in such a beautifully tragic manner.
Final Thoughts
So, to wrap it all up, Kaworu is a beautifully intricate character who embodies the themes of “Neon Genesis Evangelion.” He’s the First Angel, the Thirteenth Angel, and the Seventeenth Angel all at once, serving as a reminder of the complexities of identity and fate. His story is a reflection of our own struggles for meaning and connection in a world that often feels disjointed and confusing.
If you’re diving into “Evangelion,” whether for the first time or the hundredth, just remember to keep an open mind. Much like the best stand-up routines, it’s all about interpretation and personal connection. So, grab your favorite snack, settle in, and allow yourself to appreciate the layers—Kaworu and the series itself have so much to offer!
And who knows? You might even find a piece of your own story in Kaworu’s journey. After all, aren’t we all just trying to navigate our own complex narratives? Happy watching!
